Page 7

Steeleye Span 'World Tour' Diary 2004

Monday 26th April
The Wyvern Theatre, Swindon
.
Got the yellow pages out first thing this morning and started to make inquiries about reverb pedals. I figured that apart from taking the back off my Mesa Boogie and pulling everything apart this would be the natural answer to the reverb problem - as stated in Sunday's entry. At around midday I made my way by foot through Swindon en-route to the local music shop - and bumping into Peter on the way - I dragged him along with me.
Once there, in the pedal department, It appeared I had a choice of one - a Boss - it certainly looked good; nice colour an' all that , so I bought it. Any guitarist will tell you that even with all the testing and listening that might be done in the shop, you never really know whether it's right or not until you're on stage using it - so we'll see what happens.
Pete suggested that I might think about buying a power supply for this, and the other pedals already in my collection - it did seem like a good idea, after all, they do eat batteries at a frightening rate - so I bought a power supply. Finally, whenever in a music shop I always check out their choice of thumb picks - there's really only one kind of pick I like to use and they're not always easy to find. Well, they stocked them, so I bought the lot and left the shop not much less than £200 worse off.
Arrived at the theatre at 5:30pm for the sound check. One thing I've noticed is how, thus far, almost all the hotels have have been very closely situated to the venues, this is convenient from the point of view that if it's walking distance, you avoid the necessity of being driven there by a tour manager who has to be at the venue much earlier - basically, you end up having more time to yourself.
The evening seemed to be a fairly quiet and conservative affair with what I think is the lowest turn out so far - about 350 people. Maybe the fact that it was a Monday had something to do with it. And the pedal? Well, I won't go into too much technical detail, but tonight we didn't get on very well.


Tuesday 27th April
The Derngate, Northampton.

Early afternoon - checked into the Ibis hotel, Northampton. This is the second time I've stayed at an Ibis hotel, and I do like how uncomplicated they are - big rooms too.
Not a lot to report today really, though I did, once again, visit a music shop - this time accompanying Liam who was looking to buy some sticks. To a non drummer such as myself, the choice appeared considerable, and Liam, whilst muttering things about 'size', 'weight' and 'balance', performed paradiddles on any available surface. After this - and a few comments in regards to expense, we left the shop - stickless. He did buy an SAS jacket next door though for thirty quid.
Lovely concert hall, and almost a full house tonight with around 950 people attending the show. It was great to see friends - Gareth Turner and Simon Care - despite the fact that they're both concertina players. Gareth and I played and recorded together in the Ashley Hutchings Dance Band - the first project I entered into with Ashley about eight years ago. Simon and I are involved in the latest of Ashley's projects - the 'Morris On' band.
On technical matters, instead of routing the guitar through the unit directly, I connected the new reverb pedal through my amp's effects loop, and I'm happy to report that we got along much better tonight.

Wednesday 28th April
The Anvil, Basingstoke.

The weather's taken somewhat of a dramatic turn - after a good few days of sun and warmth, it seems we're back to normality - with rain and bightingly cold winds. The good thing is that because generally there seems to be a complete lack of effective air-conditioning in many hotels the lower temperatures I think make for more comfortable nights.
As one who is passionate about good coffee, I would have to recommend 'Caffe Nero'. There's one (not long been open) in Preston, and I haven't checked it out. Yesterday in Northampton, with Liam, we thought we'd give the one there a try. I get the feeling that their approach and methodology is probably quite consistent - an area where sadly some of the other big names - like 'Costa' - fail miserably. Once-upon-a-time I thought Costa was the best, and then it got franchised here there and everywhere. These days you never know whether you're going to end up with some excessively watery, or milky, or bitter tasting excuse for coffee. At Caffe Nero they advertise themselves as having 'the best coffee this side of Milan', and you know something? - having gone back this morning to double check - I think they could be right.
We left Northampton at noon, fully expecting to be booked into the next hotel within a couple of hours, where we could shower, relax for a while, etc, and so the disappointment was visible when we learned that we had to go straight to the venue. I ended up showering in the dressing room.
Another big audience at tonight's show - about the same size as yesterday's - so is the theatre. Actually, tonight the audience was particularly warm - certainly in the second half, and they sang 'All Around My Hat' the best so far. Usually, in the interval I ask Patch (sound engineer) how things are sounding out front, always hoping, of course, for a positive reply. Tonight, when questioned he responded, "I don't know," - how reassuring!
So, this was quite a long day. Imagine then how it felt eventually arriving at the 'Thistle Heathrow Hotel' at 1.00am to be told that the nine rooms we had booked - and that had been confirmed this very afternoon - had infact been given to other people. They sent us down the road and we stayed in the Meridien instead - incredible.

Thursday 29th April
The Beck Theatre, Hayes.

This was a good example of how one days inconvenience can work can benefit you the following day - the hotel we couldn't check into until late yesterday was, thankfully, quite well situated for tonight's show.
This theatre, which accommodates something in the region of 600 people, appears to be one of those venues that has the potential to make an indelible impression on some of those who perform there - as was obviously the case with Liam and Maddy, who, before we arrived, were heard talking about it's certain characteristics; nothing very derogatory or anything - more to do with the on-stage acoustics - one of those areas of great relevance to people such as ourselves, but something most audience members would be naturally oblivious to. And they were absolutely correct in their description; the ambiance up there on the stage was dull enough and different enough to set it apart.
We've continued to adjust the set slightly, and drop the odd song / tune in an attempt to keep the show as interesting and concise as possible. Tonight's set list:
Set one
Padstow
Prince Charlie
4 Nights Drunk
Long Lankin
The Butcher
Mantle of Green
Drink Down the Moon
Samain
All Around My Hat
Set two
Tam Lin
Let Her Go Down
Betsy Bell
Babylon
Black Leg Miner
Sir James the Rose
Van Dieman's Land

Encore: Cam Ye
 
We performed only one encore tonight, leaving out Gaudette.


Friday 30th April
The Queens Theatre, Barnstable.

The next few days sees us traveling some longer distances between gigs, and this is where it starts, with a four hour plus journey to North Devon. Still, I have plenty to think about and consider along the way, and so does the whole band come to mention it, particularly in regards to what we might be doing in the coming months. The US trip is hanging in the balance, and there is the question of which UK venues we might want to play on next December's tour. From my own point of view, I'm weighing up the pros and cons of a new Ashley Hutchings project - a new band, and something he wants to put on the road in the first part of next year. In the end, as we approach Barnstable, I realise that not much of the above has been discussed or considered at all, and once again it has been all to easy to fall into that half conscious state that descends upon you when repeatedly sitting in tour busses for any length of time.
Managed to get some laundry done on arrival. I have a new method as given to me by Carol over the phone the other day. Apparently, it's the Chinese laundry method. I fill the bath (partially) with water, put in the Travel Wash, put the clothes in, take off my shoes and socks, and then walk all over them for a while - it's turns the whole laborious process into something quite pleasant.
Lovely venue - again about six hundred seats - and tonight was completely sold out. On-stage sound was good too and was matched apparently by a good out front sound (so we were told - this time by a more resolute (than last Wednesday's) Patch). My perception of the performance was that it was 'smooth' and 'controlled' and dynamically pretty good.
I have to say a few words about the road crew, and in particular 'Spike' who sets my guitars and amps up every day. All I have to do is turn up and everything's ready. My appreciation is considerable - they're a great bunch of guys, and it's a pleasure working with them.

Saturday 1st May
The Coliseum, Aberdare.

My geography's not so good when it comes to south Wales. I've performed in these parts quite a lot - especially with the Albions, so it's not that this area is unfamiliar to me, more a case of my perspective of distance and where one town is situated in relation to another being rather vague. Our hotel was in Merthyr Tydfil, about a fifteen minute drive from Aberdare.
I always enjoy being in Wales, whether it's north or south, or west, well, I suppose the further west I go the more I like it. There was a period of time when Carol and I, whenever we could, would go and stay just outside a town called Machynlleth, north of Aberystwyth. We'd stay in this old slate building that was once used as a signal box for the Corris Railway - it sits right on the side of the river Dulas, in fact the river more or less flows underneath the building at a certain point. I'd discovered this place from an ad in the back of 'Salmon and Trout' magazine when my enthusiasm for fly fishing was at it's highest. I guess it really needed a little renovation; it was kind of 'dank' as well as damp, and being set down below the level of an adjacent road on one side of it's corner, and below the 'Evans Bridge' on the other, direct sunlight would only enter through the small windows on it's south side for the briefest of time each day. But nevertheless, in it's dampness and partial darkness there would always be, in the background, the faint but constant sound of a river flowing, bringing with it a very comfortable sense of isolation.
Back to the present, and the style and architecture of where I find myself today seems to be very much in keeping with any other area of Wales - even those much farther north. There's also the appearance of a local economy in compromise, an impression strengthened further by remarks from the theatre's workforce; they spoke of how heavily subsidised and grant-financed many of the local facilities are.
Possibly, probably, this theatre is one of the above mentioned organisations - most theatres are. Still, this was Saturday night, and nothing was going to stop any fan of Steeleye (or otherwise) from having a very good time. With an attendance figure of just over three hundred, this was possibly the smallest, yet definitely the most vocal audience so far on this tour.
We opened up the show, as usual, with 'Padstow' - a May day song, and were half way through it when I suddenly realised that today was indeed May day.

Sunday 2nd May
The Central Theatre, Chatham.

Making what for us is a very early start - 9am, we set out from Wales missing much of the inevitable Bank Holiday traffic for about the first hour or so. Tour manager - Mark, had phoned the hotel in Chatham the day before to make sure we could all check in by 2pm and so enjoy a relaxing afternoon before the concert. We actually arrived before 1:30pm and then on arrival were told we couldn't have our rooms until 3pm. It's best, but difficult sometimes, not to get too upset about these things - anyway, the girls on reception seemed to do all they could to sort everything out.
At the gig, once again the sound on-stage was good enough for us to not have to think about it. When you turn round and see everyone in the band with a smile their face you know something's got to be right. Same set, lovely audience - what more can I say?
 

<<<<Previous Page

Next Page>>>>


Pages (1) (2) (3) (4) (5) (6) (7) (8) (9) (10)

 

[About Ken] [Press Reports] [Gig Guide] [Albion Band] [Discography] [Ken's Online Shop] [Notebook] [Links] [Further Information] [Sounds][Guestbook] [Email Me!]